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The Year's Best Science Fiction, Vol. 20
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The Year's Best Science Fiction, Vol. 20

Гарднер Дозуа

Фантастика / Научная Фантастика 18+

Although critics continued to talk about the “Death of Science Fiction” throughout 2002 (some of them with ill-disguised longing), the unpalatable fact (for them) is that science fiction didn’t die this year, and doesn’t even look particularly sick. In fact, sales for many genre titles were brisk, and not only were there not fewer books published this year than last, several new book lines were added that swelled the total and are going to swell it more next year (and this isn’t even counting print-on-demand titles and books sold as electronic downloads from internet Web sites, things much more difficult to keep track of than traditionally printed-and-distributed books). Nor, to my eyes anyway, was there any noticeable fall-off in literary quality. Sure, there’s plenty of crap out there on the bookstore shelves, just as there’s always been. But there’s also more quality SF of many different flavors and varieties (to say nothing of the equally diverse range of quality fantasy titles) available out there this year than any one person is going to be able to read, unless they make a full-time job out of doing so (even the professional reviewers have difficulty keeping up!). In fact, an incredibly wide spectrum of good SF and fantasy, both new titles and formerly long-out-of-print older books, are probably more readily available to the average reader now-in many different forms and formats-than at any other time in history. All of which indicate to me that nailing the coffin-lid shut on the genre, smearing ashes on your face, and trotting out the obituaries might be just a bit premature.

In fact, 2002 was a rather quiet year in the genre market. There were few major changes this year. The slowing economy has yet to hit the genre too hard (knock on wood), although there are signs of possible trouble ahead for conglomerates, such as AOL-Time Warner and Bertelsmann; the difficulties are on high corporate levels and not directly caused by anything happening on the genre level, although they may eventually impact it. There were even some signs of expansion: Five Star Books added a vigorous new SF line, with the emphasis on short-story collections edited by Martin H. Greenberg; Tor added a new Young Adult science fiction and fantasy line, Starscape, and by early in 2003 had added a second YA mass-market line, Tor Teen; Tor is also planning to start a “paranormal romance” line, as yet unnamed, in 2004; Penguin Putnam started a new line of science fiction and fantasy books, Firebird, aimed at young readers; Del Rey introduced a new YA line, Imagine; and HarperCollins started Children’s and YA Eos in the beginning of 2003.

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